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a.k.a. Columbia Broadcasting System
CBS was a participant or observer in the following events:
Father Charles Coughlin. [Source: Spartacus Schoolnet]Father Charles Edward Coughlin, an ordained Catholic priest, hosts what may be the first politically oriented national radio broadcast in US history. Coughlin, who started his political involvement as a supporter of President Roosevelt’s New Deal, quickly becomes a virulent Roosevelt critic, calling Roosevelt’s economic policies “socialism.” By 1930, CBS broadcasts Coughlin’s weekly radio show nationwide. Coughlin’s harsh criticism of communist and socialist governments, such as the Soviet Union, widens to encompass the US government and many aspects of American life. He accuses the citizenry of “scorn[ing] the basic family and national doctrine of Jesus Christ,” citing divorce statistics as “proof” of his assertions. He does not spare the corporations, blasting them for treating working families unfairly and warning of the dangers of the “concentration of wealth in the hands of the few.” Coughlin begins claiming that American communists have infiltrated many levels of government and corporate leadership, and lashes out at what he calls the “Bolshevism of America.” In April 1931, CBS refuses to renew his contract, and Coughlin organizes his own radio network which eventually claims over 30 radio stations and some 30 million listeners. In 1936, Coughlin, who has grown disillusioned with Roosevelt over his administration’s failure to take over the nation’s banking system and other of Coughlin’s suggested reforms, forms a hardline anti-Communist, isolationist organization called the “Christian Front.” When the US begins publicly opposing the German Nazi regime of Adolf Hitler, Coughlin turns on Roosevelt entirely, accusing him of advocating “international socialism or Sovietism,” and praising Hitler and Italy’s Benito Mussolini as “anti-Communist fighters.” By 1940, according to playwright Arthur Miller, Coughlin is “confiding to his 10 million Depression-battered listeners that the president was a liar controlled by both the Jewish bankers and, astonishingly enough, the Jewish Communists, the same tribe that 20 years earlier had engineered the Russian Revolution.… He was arguing… that Hitlerism was the German nation’s innocently defensive response to the threat of Communism, that Hitler was only against ‘bad Jews,’ especially those born outside Germany.” Coughlin echoes Nazi propagandist Joseph Goebbels in claiming that Marxist atheism in Europe is a Jewish plot. He claims that America is overrun by “Jewry,” resulting in critics labeling him a “fascist.” Boston police discover that for several years Jewish youths in the city have been beaten and terrorized by what the Christian Science Monitor calls “Coughlinites and the Christian Front”; other assaults on American Jews are later found to have been carried out by people who support Coughlin, often with the complicity of local law enforcement and Catholic officials. The Christian Front collapses in January 1940 when the FBI raids its New York branch and finds a cache of weapons; FBI Director J. Edgar Hoover tells the press that the organization is planning the assassinations of a number of prominent Jews, communists, and “a dozen Congressmen.” Coughlin’s influence is badly damaged by the FBI’s claims, and Coughlin’s rhetoric continues to move to the extreme. By September 1940, he is calling Roosevelt “the world’s chief warmonger,” and in 1941 says that the US, not Germany or the Soviet Union, is the biggest threat to impose its domination on the world. “Many people are beginning to wonder who they should fear most,” he says, “the Roosevelt-Churchill combination or the Hitler-Mussolini combination.” When the US enters World War II at the end of 1941, the National Association of Broadcasters arranges for Coughlin’s broadcasts to be terminated. At Roosevelt’s behest, the US Post Office refuses to deliver his weekly newspapers. And in May 1942, Coughlin is ordered by Archbishop Francis Mooney to cease his political activities or be defrocked. Although Coughlin will continue to write pamphlets about the dangers of communism until his death in 1979, his influence on American political thought ends in the first months of the war. [New York Times, 1/21/1940; Dinnerstein, 1995, pp. 132-133; Spartacus Schoolnet, 2010]
Entity Tags: Christian Science Monitor, Benito Mussolini, Arthur Miller, Adolf Hitler, CBS, Christian Front, Franklin Delano Roosevelt, J. Edgar Hoover, Joseph Goebbels, National Association of Broadcasters, Francis Mooney, Charles Edward Coughlin
Timeline Tags: Domestic Propaganda
Characters from ‘The Agency.’ [Source: CBS]The pilot episode of a major new CBS drama series called The Agency was originally scheduled to be broadcast on this day, and would have featured a storyline about Osama bin Laden’s al-Qaeda terrorist group plotting to blow up a department store in London, England, but the episode is postponed due to its resemblance to the events of September 11. [New York Times, 9/29/2001; CNN, 10/31/2001; Jenkins, 2012, pp. 62-63] The Agency, according to The Guardian, is “a new CBS drama, full of best-and-brightest types rolling up their sleeves and attacking problems of national security.” [Guardian, 10/5/2001] The series will “tell stories of everyday life inside ‘The Agency,’” according to the New York Times. [New York Times, 5/6/2001] The Guardian has reported that the show’s villains will include “Arab terrorists, Colombian drug dealers, Iraqis, and German urban guerrillas.” [Guardian, 9/6/2001] Wolfgang Petersen, who directed blockbuster movies such as In the Line of Fire and Air Force One, is the show’s principal executive producer. [Dallas Morning News, 9/27/2001; Los Angeles Times, 9/29/2001]
Storyline Includes Planned Al-Qaeda Attack - The storyline of the pilot episode of The Agency features “terrorists from Osama bin Laden’s cells, waging a holy war against the West,” according to the New York Times. Early in the episode, it is revealed that the CIA has identified al-Qaeda as a security threat and that the terrorist group is planning a major attack in Europe. Fortunately, a CIA officer was able to infiltrate al-Qaeda and discovered the date of the planned attack. However, the agency has just three days to thwart the plot. Agents then discover that the terrorists intend to bomb the Harrods department store in London. They pass on this information to British intelligence officers, thereby helping to prevent the attack at the last minute. [New York Times, 9/29/2001; Jenkins, 2012, pp. 62-63] Bin Laden’s name is mentioned twice in the episode. [Dallas Morning News, 9/27/2001]
CIA Liaison Assisted with Script - Michael Frost Beckner, the creator of The Agency, will later say that he wrote the show’s pilot episode “over a year before 9/11,” presumably meaning around mid-2000. [Hollywood, Health and Society, 4/2/2002 ] He worked with Chase Brandon to develop the script, and submitted early drafts to Brandon for approval. [Jenkins, 2012, pp. 56] Brandon is the CIA’s entertainment liaison officer, and before taking that post spent 25 years in the agency’s elite clandestine service. [Guardian, 9/6/2001; Guardian, 11/14/2008]
Storyline 'Originated from the CIA' - The similarity between the storylines of The Agency and real-world events, according to CNN, is because the show’s producers and writers have been “researching each storyline in detail. They read intelligence manuals, pull from actual CIA cases, and confer at length with the show’s consultant, retired [CIA] operative Bazzel Baz.” [CNN, 10/31/2001] Bill Harlow, the CIA’s chief spokesman, will suggest that the reason for the similarity is that the show “simply got lucky that the headlines intersected with its storylines so neatly.” But Beckner will reveal that the storyline for the pilot episode was suggested to him by Brandon. “In other words,” author Tricia Jenkins will note, the story about al-Qaeda plotting to bomb Harrods “originated from the CIA.” [Jenkins, 2012, pp. 66-67] Beckner will also say the pilot episode resembled what happened in the US on September 11 because the CIA “would let in anyone, including a little writer like me, to hear that al-Qaeda and bin Laden are going to attack us.” [Hollywood, Health and Society, 4/2/2002 ]
Show's Premier at CIA Headquarters Canceled - The Agency received extensive assistance from the CIA during its production. As well as the CIA reviewing scripts, it is the first television series that was permitted to film inside CIA headquarters in Langley, Virginia, and it used agency employees as extras. The pilot episode was even going to be premiered at CIA headquarters, on September 18, but the event was canceled because the agency was busy responding to the 9/11 attacks. [New York Times, 8/26/2001; Hollywood Reporter, 9/17/2001; Jenkins, 2012, pp. 56]
CIA Liaison Thinks Series 'Couldn't Be More Timely' - CBS cancels the broadcast of the pilot episode on September 27, when it was originally scheduled to be aired, in response to the 9/11 attacks. Gail Katz, one of the show’s executive producers, will comment, “Our show seems to be too close to what’s in the headlines” and it is therefore “not appropriate for viewing.” [CNN, 10/31/2001] Instead, another episode of The Agency is aired, in which agents work to prevent the assassination of Cuban leader Fidel Castro. [Variety, 9/23/2001; New York Times, 9/29/2001] Brandon, however, is upbeat about the series coming out at a time when terrorism has become such a major issue. “If anything, a show like The Agency couldn’t be more timely,” he will say. This, according to Brandon, is because, “Right now, the American public needs a sense of reassurance.” Brandon will add: “Our whole national consciousness is going to change. And I think a responsible film or TV episode about the agency, even one that weaves elements of terrorism into the storyline, can show the magnitude of what’s at stake.” [Los Angeles Times, 9/29/2001] Indeed, the show’s tag line is “Now, more than ever, America needs the unsung heroes of The Agency.” [Los Angeles Times, 10/2/2001]
Modified Version of Episode Later Broadcast - The pilot episode of The Agency is one of a number of movies and television dramas featuring storylines about terrorism that are canceled or rewritten in response to 9/11 (see (January 1998-2001); February 1999-September 11, 2001; June-September 11, 2001; Before Before September 11, 2001; September 13, 2001; November 17, 2001). [Denver Post, 9/17/2001; Village Voice, 12/4/2001] A subsequent episode, based around a planned terrorist attack in the US using anthrax, will also be rescheduled, because its original broadcast date coincides with the actual anthrax attacks in the US (see October 18, 2001). [Variety, 10/16/2001; People, 11/6/2001] A modified version of the pilot episode, with all references to bin Laden removed, will be broadcast on November 1. [South Florida Sun Sentinel, 10/25/2001; Jenkins, 2012, pp. 145]
Nicholas Meyer. [Source: Shanghai TV Festival]Filming was originally going to start in Winnipeg, Canada, around this time for Fall from the Sky, a big-budget CBS TV movie about the investigation of a jumbo jet crash in which the possibility that Osama bin Laden was responsible is one of the lines of inquiry. [Observer, 9/30/2001; Irish Independent, 10/7/2001; Winnipeg Free Press, 3/22/2002] Fall from the Sky was co-written by Nicholas Meyer, who previously wrote several of the Star Trek movies, and Brian Rehak. [Variety, 9/19/2001; Pittsburgh Post-Gazette, 10/31/2003; Los Angeles Times, 7/22/2010] It has been budgeted at $7.2 million and is set to star Forest Whitaker, who previously played jazz legend Charlie Parker in Clint Eastwood’s movie Bird.
Hundreds Killed in Fictional Plane Crash - Fall from the Sky would be set a couple of years in the future and involve the crash of a plane that is one of a new generation of passenger jets. According to some reports, 700 people die in the fictitious crash. [Chicago Sun-Times, 8/20/2001; Winnipeg Free Press, 3/22/2002] But according to Variety magazine, 400 people are on the plane that crashes. [Variety, 9/19/2001; Variety, 9/24/2001] Whitaker was to have played the National Transportation Safety Board investigator who leads the examination of the crash. The story would “concentrate on the meticulous process of gathering scientific evidence after the tragedy,” according to the Chicago Sun-Times. [Chicago Sun-Times, 8/20/2001; Winnipeg Free Press, 3/22/2002] Meyer has said that the planned TV movie would “not show the crash—only pieces [of plane wreckage] on the ground.” [Variety, 9/24/2001] However, Jamie Brown, the CEO of a special effects company that was going to work on Fall from the Sky, will later say his company planned to depict “the destruction of a super jumbo jet” for the TV movie. [Winnipeg Free Press, 12/5/2001]
Possible Bin Laden Responsibility Investigated - Furthermore, the storyline of Fall from the Sky includes “the investigation of a theory that the crash had been the work of Osama bin Laden,” according to The Observer. [Observer, 9/30/2001] But according to Meyer, it turns out that terrorists were not responsible. [Variety, 9/19/2001; Variety, 9/24/2001] Whitaker will say that the story “dealt a lot with the FAA and issues of concealment. It almost read as if it was a true story, because of the political things that were going on inside of it.” [Winnipeg Free Press, 3/22/2002] It “shows the political pressures brought to bear on the investigation,” Meyer will say. [Variety, 9/24/2001]
Production Canceled due to 9/11 - Fall from the Sky was in preproduction in September. Filming was scheduled to begin in Winnipeg on October 2, according to some reports. [Playback, 11/12/2001; Winnipeg Free Press, 3/22/2002] But according to Variety magazine, it was set to begin on October 8 or October 9. Production was halted within two weeks of 9/11. [Variety, 9/19/2001; Variety, 9/24/2001] The Winnipeg Free Press will comment, “Naturally, the deliberate, catastrophic destruction of four passenger jets on September 11 made a TV movie about a fictional jumbo jet crash untenable for CBS.” [Winnipeg Free Press, 3/22/2002] Fall from the Sky is one of a number of movies and television dramas that are canceled or rewritten as a result of the 9/11 attacks (see (January 1998-2001); February 1999-September 11, 2001; June-September 11, 2001; Before Before September 11, 2001; September 13, 2001; September 27, 2001; November 17, 2001). [Denver Post, 9/17/2001; Irish Independent, 10/7/2001] Meyer has commented that his TV movie “was in its own way rather timely,” and added, “I think it’s unfortunate that it’s been canceled.” [Observer, 9/30/2001] Another, unnamed, TV movie dealing with an airline disaster was set to begin production in Vancouver, Canada, around this time, according to the Canadian magazine Playback, although further details of that movie are unstated. [Playback, 11/12/2001]
Chase Brandon. [Source: Daily Mail]An episode of the CBS drama series, The Agency, about a planned terrorist attack in the United States using anthrax was scheduled to be broadcast on this day, but is postponed in response to the actual anthrax attacks taking place in the US. [Variety, 10/16/2001; Associated Press, 10/17/2001; People, 11/6/2001] The Agency shows the CIA tackling problems of national security, taking on villains such as Arab terrorists and Colombian drug dealers. [Guardian, 9/6/2001; Guardian, 10/5/2001]
German Terrorist Plans to Attack Washington with Anthrax - The episode, titled “A Slight Case of Anthrax,” which was filmed in August, features a German man who is planning to attack Washington, DC, using anthrax sprayed from a crop duster plane. The man has acquired the same anthrax that the US government developed and sold to Iraq when it was an ally. The CIA discovers that he was behind an anthrax attack in Belgium, and Washington is his next intended target. CIA agents then scramble to stop the terrorist before he can reach the capital. [St. Petersburg Times, 10/29/2001; E! Online, 11/2/2001; People, 11/6/2001; Jenkins, 2012, pp. 68] Al-Qaeda was originally going to be responsible for the anthrax attacks in the storyline, according to Michael Frost Beckner, who wrote the episode. However, CBS said: “This al-Qaeda thing, you’ve got to get off that. No one is interested. Trust us.” The episode was consequently redrafted so that it featured “Iraqis making an anthrax attack through German terrorist proxies.” [Hollywood, Health and Society, 4/2/2002 ]
Episode Canceled due to Actual Anthrax Attacks - The US is currently in the middle of a series of terrorist attacks using anthrax (see October 5-November 21, 2001). [South Florida Sun-Sentinel, 12/8/2001] Anthrax has been discovered in three states and the District of Columbia in the past two weeks. At least 13 people either have anthrax or were exposed to its spores, and one person has died. The episode of The Agency about anthrax attacks is therefore canceled and is replaced with another episode of the show. CBS spokesman Chris Ender explains, “We certainly don’t want to do anything to add to the country’s fears about anthrax.” [E! Online, 10/16/2001; Associated Press, 10/17/2001] “A Slight Case of Anthrax” was in fact going to be broadcast a week ago, on October 11, but had to be rescheduled because President Bush decided to hold a prime-time news conference that evening. [Variety, 10/16/2001; Associated Press, 10/17/2001]
Storyline Was Suggested by CIA Liaison - Gail Katz, one of the show’s executive producers, will later suggest why the storyline about anthrax so closely resembles real-world events, commenting: “This is a series which is dealing with reality. It has to deal with threats like this that concern us.” [E! Online, 11/2/2001] Bazzel Baz, a former CIA operative who is a technical adviser for The Agency, will say, “We know how the CIA works, so if we write a script about anthrax or about a bomb or about an assassination or about bin Laden, it’s probably going to happen.” [CNN, 10/30/2001] Tracey Rabb, the show’s publicist, will comment, “[Y]ou really can’t do a serious drama about the CIA without colliding with topical events.” [People, 11/6/2001] However, Beckner will reveal that the storyline for “A Slight Case of Anthrax” was suggested to him by Chase Brandon, the CIA’s entertainment liaison officer. Author Tricia Jenkins will note that this means it “originated from the CIA.” [Jenkins, 2012, pp. 66] The CIA has in fact cooperated extensively with the producers of The Agency, such as by reviewing the show’s scripts. [New York Times, 8/26/2001]
Episode Airs in November - “A Slight Case of Anthrax” will finally be broadcast on November 8. [E! Online, 11/2/2001; People, 11/6/2001] The pilot episode of The Agency, which features a storyline in which Osama bin Laden’s al-Qaeda terrorist group plots to blow up a department store in London, was also canceled and will be broadcast on November 1 (see September 27, 2001). [New York Times, 9/29/2001; South Florida Sun Sentinel, 10/25/2001; Hollywood, Health and Society, 4/2/2002 ]
Publicity photo from ‘The Reagans’ miniseries, with James Brolin and Judy Davis as Ronald and Nancy Reagan. [Source: Time]Conservative pundits react with outrage over reports that CBS will air a documentary miniseries about former President Ronald Reagan and his family, titled The Reagans, that contains controversial, and sometimes unsourced, material some feel is unflattering to Reagan and his family. Rush Limbaugh, Sean Hannity, the Wall Street Journal op-ed page, and many commentators on Fox News object so strongly that CBS eventually alters the content of the movie and shunts it out of its lineup entirely (it will instead air on CBS’s cable provider Showtime). The movie was produced by people who “hate Reagan,” Limbaugh charges. Hannity poses the rhetorical question: “Does the whole episode expose the Reagan-hating, liberal-leaning tendencies of the mainstream press?… CBS has a history of Reagan-bashing.” The Journal observes: “[W]hat caused this particular network wall to come tumbling down was largely the new media: [the] Drudge [Report], cable, talk radio, and so on. Not only did the new media disseminate information about the script to CBS viewers, it also provided the viewers, via the immediacy of e-mail, the means to ensure that [CBS chairman Leslie] Moonves would feel their pain.” [Jamieson and Cappella, 2008, pp. 72-73] Conservative pundit Pat Buchanan predicted, “Advertisers will bail on CBS’ anti-Reagan movie,” in the days before CBS’s decision. Conservative MSNBC pundit and columnist Robert Novak said of the miniseries: “CBS is serving up a new version of the Ronald Reagan story, just before Thanksgiving. That’s appropriate. With all the Hollywood liberals involved, it could be a real turkey.” And the conservative watchdog organization Media Research Center (MRC) launched a boycott targeting CBS’s potential advertisers. It decided to take action, calling on 100 major companies to review the script and consider avoiding buying ad time on the miniseries. MRC founder Brent Bozell wrote, “‘The Reagans’ appears to be a blatantly unfair assault on the legacy of one of America’s greatest leaders.” In an interview, Bozell said: “Reagan is being portrayed as a hateful, half-nut homophobe. It’s not that the historical record is being distorted. It’s that the makers of the movie are deliberately defaming him and lying about him.” None of the pundits and critics have seen any more than a brief clip CBS provided for publicity purposes.
Fictionalized Conversation - One portion of the miniseries, concerning Reagan’s position on AIDS victims, features at least some fiction. Reagan is portrayed as “uncaring and judgmental” towards AIDS patients, says a CBS News article, and in the script, Reagan turns down his wife Nancy’s plea to help them, saying, “They that live in sin shall die in sin.” Lead author Elizabeth Egloff admitted that she has no documentation of Reagan ever saying such. However, Egloff said, “we know he ducked the issue over and over again, and we know she was the one who got him to deal with that.” Reagan insiders deny Egloff’s characterization. Reportedly Nancy Reagan is angry about the miniseries.
Re-Editing for 'Fair'ness - Moonves recently told a CNBC interviewer: “Nobody’s seen the film. So any criticism now, in the middle of October for a film that isn’t finished, is rather odd, we think.” He admitted that the film was being re-edited “to present a fair picture of the Reagans.… There are things we like about the movie, there are things we don’t like about the movie, there are things we think go too far.” [CBS News, 10/29/2003]
Son Speaks Out - Conservative pundit Michael Reagan, the former president’s son, celebrates the decision, calling the documentary a “smear job on my dad” and writing that to most “Hollywood liberals,” apparently including the filmmakers, “[c]onservatives, in their twisted minds, are sworn enemies of progress and everything else that’s good and decent in Hollywood’s view, you know, good things like abortion and gay Boy Scout scoutmasters and Communist dictators such as their hero Fidel Castro.… [T]he elitist liberals at CBS fall right in line with this leftist garbage, and, as they did in this instance, allowed Hollywood the liberty of creating an attack vehicle against my dad and my family and then claiming it was an historical documentary that portrays the Reagans as they really are.” Like many other conservatives, Reagan seems particularly displeased that James Brolin, the husband of liberal Hollywood star Barbra Streisand, plays his father. [MSNBC, 11/5/2009]
Entity Tags: Fox News, Showtime, Elizabeth Egloff, Brent Bozell, Barbra Streisand, Sean Hannity, Rush Limbaugh, Wall Street Journal, Robert Novak, Media Research Center, Leslie Moonves, James Brolin, CBS, Ronald Reagan, Nancy Reagan, Patrick Buchanan, Michael Reagan
Timeline Tags: Domestic Propaganda
Studio poster for ‘Saving Private Ryan.’ [Source: Little Golden Guy (.com)]Sixty-six of ABC’s 225 affiliated stations choose not to air the World War II film Saving Private Ryan on Veterans Day. ABC aired the film, widely considered a homage to American soldiers, on Veterans Day in 2001 and 2002 without complaint. But with new concerns that the Bush administration, and the American electorate, is energized by a passion for “moral values” (see November 3, 2004), the stations’ executives believe they may risk fines from the Federal Communications Commission (FCC). The film opens with a graphic depiction of the famous D-Day invasion of Normandy by US, British, and Canadian forces, and the entire film contains a significant amount of profanity. The FCC could impose fines of up to $32,500 on a station if it finds the film violates moral and ethical standards. The FCC says it has received complaints, but has not yet decided to mount any sort of investigation. Many stations choosing not to air the film say that if their viewers are angry at the decision, they should call the FCC themselves. ABC spokeswoman Susan Sewell says the “overwhelming majority” of viewers are comfortable with their decision to broadcast the film. Some of the stations choosing not to air the film point to a recent FCC decision to fine CBS stations up to $500,000 for airing a Super Bowl halftime show in which entertainer Janet Jackson exposed her right breast for a moment. ABC’s contract with DreamWorks, the film studio who produced Saving Private Ryan, does not allow the network or its stations to edit the film. ABC shows an introduction by Senator John McCain (R-AZ), a prisoner of war during Vietnam. Jack Valenti, the former head of the Motion Pictures Association of America, says that he cannot imagine the FCC fining any station for showing the film: “I think that this planet would collide with Saturn before that happens.” [Associated Press, 11/12/2004; BBC, 11/13/2004] In 2006, author and media critic Frank Rich will write that “merely the fear of reprisals was enough to push television stations… onto the slippery slope of self-censorship before anyone in Washington even bothered to act.” Rich asks if such self-censorship might extend into these stations’, and networks’, coverage of the Iraq war: “If these media outlets were afraid to show a graphic Hollywood treatment of a 60-year old war starring the beloved Tom Hanks because the feds might fine them, toy with their licenses, or deny them regulatory permission to expand their empires, might they curry favor with Washington by softening their news divisions’ efforts to present the ugly facts of an ongoing war? The pressure groups that were incensed by both Saving Private Ryan and risque programming were often the same ones who campaigned against any news organization that was not toeing the administration political line in lockstep with Fox [News].” [Rich, 2006, pp. 153-154]
Don Imus. [Source: New York Post]CBS fires radio host Don Imus over Imus’s racially inflammatory characterization of the Rutgers women’s basketball team as a group of “nappy-headed hos” (whores). On April 4, 2007, Imus called the Rutgers team, which has eight African-American and two white players, “nappy-headed hos” immediately after the show’s executive producer, Bernard McGuirk, called the team “hard-core hos.” McGuirk also said the NCAA championship game between Rutgers and Tennessee was a “Spike Lee thing” between “the Jigaboos [and] the Wannabees,” referencing the 1988 Lee film School Daze, which depicted a rivalry on an all-black college campus between the darker-skinned “Jigaboos” and the lighter-skinned “Wannabees.” CBS president Leslie Moonves says in a statement, “There has been much discussion of the effect language like this has on our young people, particularly young women of color trying to make their way in this society.” Civil rights and women’s rights groups around the country have called on CBS to fire Imus from its radio programming for almost two years. Marc Morial of the National Urban League recently said, “It’s important that we stand with the women of Rutgers who are deeply hurt by the highly insensitive comments of Don Imus.” Imus is a prominent, conservative-libertarian radio host who was recently named one of the 25 Most Influential People in America, and is a member of the National Broadcaster Hall of Fame. Last week, MSNBC dropped its simulcast of Imus’s program after Imus insulted the Rutgers athletes. Civil rights activist Jesse Jackson, who along with the Reverend Al Sharpton met with Moonves over the controversy, says Imus’s firing is “a victory for public decency. No one should use the public airwaves to transmit racial or sexual degradation.” Sharpton adds: “He says he wants to be forgiven. I hope he continues in that process. But we cannot afford a precedent established that the airways can commercialize and mainstream sexism and racism.… It’s not about taking Imus down. It’s about lifting decency up.” Imus has apologized for his words and called his comments “really stupid.” Imus asked for the opportunity to apologize to the Rutgers athletes in person; though the meeting took place on April 12 with the blessing of coach C. Vivien Stringer, it was not enough to save Imus’s position. [Media Matters, 4/4/2007; New York Daily News, 4/13/2007; CBS News, 2/11/2009]
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