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Profile: Jennifer Rodgers
Jennifer Rodgers was a participant or observer in the following events:
The documentary uses an actor and computer effects to simulate McVeigh’s actions during the interviews, which were recorded on audio tape, and of his carrying out the bombing. [Source: MSNBC]MSNBC airs a documentary about convicted Oklahoma City bomber Timothy McVeigh (see June 2, 1997 and June 11-13, 1997), who before his execution (see 7:14 a.m. June 11, 2001) confessed to bombing the Murrah Federal Building (see 8:35 a.m. - 9:02 a.m. April 19, 1995) to Buffalo News reporters Lou Michel and Dan Herbeck. Michel and Herbeck went on to write a 2001 biography of McVeigh, American Terrorist: Timothy McVeigh and the Oklahoma City Bombing, based on their interviews with McVeigh. The MSNBC documentary, The McVeigh Tapes: Confessions of an American Terrorist, features excerpts drawn from the 45 hours of audio recordings made by Michel. The documentary will be broadcast on April 19, the 15th anniversary of the bombing, and features film of the bombing and its aftermath; computer-generated recreations to augment the actual audio recordings (with an actor playing McVeigh); and interviews with survivors of the bombing and family members of the slain. McVeigh told of his childhood in upstate New York (see 1987-1988), his experiences in the 1991 Gulf War (see January - March 1991 and After), his relationship with convicted co-conspirator Terry Nichols (see March 24, 1988 - Late 1990, December 23, 1997, and June 4, 1998), and of the meticulous planning and execution of the bombing. [MSNBC, 4/15/1995; MSNBC, 4/15/1995] One of the few moments when McVeigh’s voice became animated was when he described the moments before the bomb went off, saying, “I lit the two-minute fuse at the stoplight, and I swear to God that was the longest stoplight I’ve ever sat at in my life.” [New York Times, 4/18/1995] The documentary is narrated by MSNBC talk show host Rachel Maddow. Herbeck says he understands that the documentary will evoke strong feelings. “Some people will say they don’t want to hear anything about Timothy McVeigh and we respect their feelings on that,” he says. “But others are interested in hearing what made a terrorist tick.” Michel says, “[It’s an] oral blueprint of what turned one young man into one of the worst mass-murderers and terrorists in American history.” Herbeck says their book drew similar mixed reactions: “A few of the victims were outraged by our book, and they went public with their feelings. They felt it was wrong to tell the story of a terrorist.” Maddow says she is not worried that the documentary will somehow glamorize McVeigh or make him into a martyr figure: “McVeigh is profoundly unsympathetic—even repugnant—on his own terms, you don’t need to work to make him seem that way. There’s a huge distance between the hero he is in his own mind, and how basely unheroic he seems to anyone hearing the tapes now. I personally am not a supporter of the death penalty… but hearing him talk, it’s hard not to wish him gone.” In the documentary, Jannie Coverdale, who lost her two young grandchildren in the blast, says: “I was glad when he died. I will never forgive Timothy McVeigh.” Oklahoma City Police Department official Jennifer Rodgers, one of the first responders to the bombing (see 9:02 a.m. - 10:35 a.m. April 19, 1995), says her feelings are “still raw.… It just doesn’t seem like it was really that long ago.” Maddow says the story is important even 15 years later: “The Murrah Building bombing is the worst incident of domestic terrorism we’ve ever experienced as a nation. We owe pure remembrance of the date, and commemoration of the lives lost and changed. I think it’s also an appropriate occasion to talk about the threat of domestic terrorism. How strong is the threat now, 15 years after McVeigh? Are we heeding warning signs that may be out there now?” Former President Clinton, who oversaw the federal efforts to respond to the bombing, has recently warned that ugly and frightening parallels exist between the current political tensions and the anti-government rage that preceded McVeigh’s attack, saying: “We can disagree with them [elected officials], we can harshly criticize them. But when we turn them into an object of demonization, we increase the number of threats.” Michel says: “There’s no question that the militia movement is on the rise again. Some of the same factors that caused McVeigh to believe he had become disenfranchised from mainstream society are again in the mix: growing government regulations, lack of employment. Those are things McVeigh would cite if he were alive.” [MSNBC, 4/15/1995; MSNBC, 4/15/1995] In the documentary, Maddow says of the date of the airing: “On this date, which holds great meaning for the anti-government movement, the McVeigh tapes are a can’t-turn-away, riveting reminder.” Washington Post reviewer Hank Steuver calls the documentary “chilling” and McVeigh’s demeanor “arrogan[t]” and unrepentant. “Maddow and company wisely decline to draw too straight a line from 1995 to 2010, but, as she indicates, it might be helpful in crazy times to study this sort of crazy head-on,” he writes. “Watching this, it’s easy to feel like that fuse is still lit.” [Washington Post, 4/18/2010] New York Times reviewer Alessandra Stanley says the use of an actor and computer effects “blunts its impact by relying on stagy computer graphics.… Scenes of this domestic terrorist in shackles during a prison interview or lighting a fuse inside a rented Ryder truck look neither real nor completely fake, but certainly cheesy: a violent video game with McVeigh as a methodical, murderous avatar.” [New York Times, 4/18/1995] The documentary is later made available on YouTube. [911Blogger (.com), 4/20/2010]
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