Profile: Peter DiVasto
Peter DiVasto was a participant or observer in the following events:
After sundown, the FBI begins playing extremely loud music into the Branch Davidian compound, currently under siege (see March 1, 1993). Musical selections include chanting by Tibetan monks, Christmas carols, and an array of pop selections from the early 1960s. At dawn, a trumpet sounds reveille over and over again. The New York Times says the aural barrage is “apparently intended to somehow irritate the cult’s leader, David Koresh, into surrender,” and calls it “just one of many increasingly weird features of the nearly monthlong standoff.” Onlookers over two miles away, kept from coming closer by police barricades, can hear the music “when the winds are right—or wrong,” the Times observes; some federal agents choose to wear earplugs to protect themselves from the din. FBI agent Bob Ricks says the musical selections are made in a variety of ways: “Some of that is within the discretion of the people who are out there on the scene, some of it is intentional, and I won’t go into the intentional part.” Peter DiVasto, director of the Department of Energy’s hostage negotiations program and an Albuquerque, New Mexico, police psychologist, says the music is part of a psychological strategy to try to get the besieged Davidians to give up. “The purpose of playing the music is to be disruptive, to create mild discomfort without creating a precipitous event,” DiVasto says. He jokes that the FBI has not gotten serious about its musical assault yet. “If they go Barry Manilow,” he says, “it’s excessive force.” The Davidians are quite agitated by the music; Koresh informs the FBI that “[b]ecause of the loud music, nobody is coming out.” (That day, seven Davidians left the compound—see March 21, 1993.) The loudspeaker system malfunctions shortly after Koresh’s pronouncement, and the rest of the night passes quietly. Koresh’s aide Steve Schneider will complain about the music the next day; FBI negotiators blame the FBI tactical agents for the music. [New York Times, 3/25/1993; Moore, 1995; PBS Frontline, 10/1995] Robert Louden, a former hostage negotiator, says: “The idea is not so much to drive them from their lair as it is to reaffirm the communication process. Music and almost any other noise can have an effect, and what you’re looking for is a reaction to the noise. You’re not exactly sure what it’s going to do, and you want to be sure that it’s not going to set them off like a firecracker. There’s a calculated risk.” [New York Times, 3/28/1993] In 1995, author Carol Moore will speculate that the seven Davidians leaving may have been the beginning of what she calls a “mass exodus.” If that is true, then the FBI’s insistence on blasting loud music into the compound may have stymied that initiative. [Moore, 1995] A 1996 investigation by the House of Representatives cites expert opinions that the music and the encroachment of armored vehicles into the compound (see March 25-26, 1993) are “exactly the wrong tactics.” The report will conclude, “More than simply bonding the Davidians together, experts concluded that these actions proved Koresh right in the minds of the Davidians.” [House Committee on Government Reform and Oversight, 8/2/1996]
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